Language Arts – Reading · 4 min read
Poetry and Drama · Theme and Plot Structure · Media and Informational Texts
Poetry uses condensed language and structure to convey meaning. Stanzas are groups of lines separated by spaces, similar to paragraphs in prose. Lines vary in length and may or may not follow sentence structure, so read a poem by its punctuation, not by its line breaks.
| Term | Meaning |
|---|---|
| Rhymescheme | The pattern of end rhymes , shown with letters: matching letters mark matching sounds . ABAB = |
| alternatingrhymes;AABB=rhymingpairs(couplets) | |
| Meter | Therhythmcreatedbystressedandunstressedsyllables Iambicpentameterhasfiveiambsperline . , |
| each an unstressed syllable followed by a stressed one (da-DUM) | |
| Freeverse | Poetrywithoutregularmeterorrhyme;reliesonimagery linebreaks andrepetition , , |
| Figurativelanguage | Non-literal comparisons and images that carry the poem's meaning; ask what each image contributes to |
| thewhole |
Drama
Drama is written to be performed. Dialogue reveals character and advances the plot, and stage directions (usually in italics or brackets) describe the setting, movements, and expressions.




Theme is the central message or insight about life that a text conveys. It differs from the subject: a story's subject might be war, but its theme might be that violence destroys innocence. State a theme as a complete sentence, not a single word. Universal themes appear across cultures and eras: the struggle between good and evil, the importance of family, the corrupting influence of power, the search for identity, and the inevitability of change.
Authors rarely state themes directly. Ask what the main character learns, how the conflict resolves, what the title suggests, and what images or symbols repeat. Then ask what statement the author seems to be making about the subject. A text can have several themes, some more prominent than others.
3 · Climax
turning point, highest tension
4 · Falling Action 2 · Rising Action
consequences unfold
complications build tension
characters, setting, situation
5 · Resolution 1 · Exposition
denouement, new balance
Traditional plot structure builds tension to the climax and then releases it. Rising action is usually the longest part of a narrative.
| Stage | WhatHappens |
|---|---|
| Exposition | Introducescharacters setting andtheinitialsituation;effectiveexpositionweavesbackgroundintothe , , |
| action | |
| Risingaction | Complicationsandobstaclesbuildtensionandraisequestionsabouttheoutcome |
| Climax | Theturningpointofhighesttension oftenacrucialdecisionorconfrontation afterwhichtheoutcomeis , , |
| set | |
| Fallingaction | Consequencesoftheclimaxunfold;tensiondecreasesandsubplotsmayresolve |
| Resolution | Remainingquestionsareansweredandanewbalanceisestablished;itmaybeclosedorleftopen |
| (denouement) |
| Technique | Effect |
|---|---|
| Inmediasres | Beginsinthemiddleoftheactionforimmediateengagement;backgroundcomeslaterthroughflashbackor |
| exposition | |
| Parallelplots | Twoormorestorylinesthatmayintersect;similarsituationswithdifferentoutcomescanemphasizea |
| theme | |
| Pacing | Fastpacing(shortsentences rapidaction)createsexcitement;slowpacing(description reflection)builds , , |
| atmosphereandcharacter | |
| Suspense | Keepsreadersuncertainthroughforeshadowing withheldinformation anddanger , , |
Cause and effect relationships hold a plot together. A cause produces a result (the effect); one cause can have several effects, and several causes can combine to produce one effect. Signal words such as because, since, therefore, consequently, and as a result make the link explicit, but often you must infer it.
Informational passages make up most of the Reading subtest. They include news articles, editorials, speeches, historical documents, science articles, advertisements, and web pages. Each type has conventions and purposes that shape how information is presented.
| TextType | Main | Purpose | Conventions | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Newsarticle | Inform | Invertedpyramidstructure(mostimportantfactsfirst);objective | ||||||||||||||
| language;headlinesummarizes | thecontent | |||||||||||||||
| Editorial | Persuade | Clearlylabeledopinion;usesevidenceandreasoningtosupporta | ||||||||||||||
| position | ||||||||||||||||
| Advertisement | Persuadetobuy use orsupport , , | Emotionalappeals celebrityendorsements bandwagon , , | ||||||||||||||
| ("everyoneisusingit") testimonials , | ||||||||||||||||
| Speech | Persuade inspire orinforman , , | Repetition directaddress appeals , , | tosharedvalues | |||||||||||||
| audience | ||||||||||||||||
| Infographic | Inform | quickly | Combinestextandvisualstosimplifycomplexinformationwithout | |||||||||||||
| distortingit | ||||||||||||||||
| uthor'sPurpose | ||||||||||||||||
| Inform | Persuade | Entertain | Express | |||||||||||||
| Presentsfactsobjectively . | Advocatesapositionto | Engagesthroughstory , | Sharespersonalthoughts | |||||||||||||
| changebeliefsoractions . | humor orartistry , . | andfeelings . |
Author's Purpose
A single text can serve several purposes. A news article mainly informs, but the facts it selects and how it presents them can also persuade.
Analyzing Arguments
Persuasive and argumentative passages are built from a claim (the position the author takes), evidence (facts, statistics, examples, expert testimony), and reasoning (the explanation of how the evidence supports the claim). Strong arguments also address a counterclaim, an opposing view, and respond to it. When you evaluate an argument, ask whether the evidence is relevant, sufficient, and from a credible source, and whether the reasoning actually connects the evidence to the claim.
| Criterion | QuestiontoAsk |
|---|---|
| Authority | Istheauthorororganizationqualified?Expertsandestablishedinstitutionsaremorereliablethan |
| anonymoussources . | |
| Accuracy Objectivity | Cantheinformationbeverifiedinothersources?Arecitationsprovided? Doesthesourcepresentseveralviewpointsandseparatefactfromopinion ordoesituseloaded , language? |
Evaluatingsources(Continued)
| Criterion | QuestiontoAsk |
|---|---|
| Currency | Istheinformationrecentenough?Currentsourcesmatterforchangingtopics;historicaltopicsmayrelyon |
| olderprimarysources . | |
| Coverage | Isthetreatmentcomplete ordoesitoversimplifyoromitimportantinformation? , |
Bias and Propaganda
Bias is a tendency to favor one perspective. All sources contain some bias, but the degree and transparency vary.
Selection (some facts included, others omitted), placement Name-calling (negative labels without evidence), glittering
(important information buried or highlighted), headline generalities (vague positive words), transfer (linking a cause
(headline misrepresents the article), and word choice (loaded
to respected symbols), plain folks (speaker as an ordinary
language shapes perception).
person), and card stacking (only favorable facts).
Visual and Multimedia Elements
Photographs can evoke emotion, and the choice and cropping of a photo influence what viewers see. Bar graphs compare quantities, line graphs show change over time, and pie charts show parts of a whole; always check the title, scale, labels, and source. In multimedia texts, consider how text, images, audio, and video work together and whether the combination informs or manipulates.
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