Praxis Music: Content Knowledge (5113)
Praxis Music: Content Knowledge (5113) is a trademark of its owner, which is not affiliated with and does not endorse Test Treasure Publication or TTP Prep.
Praxis Music: Content Knowledge (5113) is a trademark of its owner, which is not affiliated with and does not endorse Test Treasure Publication or TTP Prep.
10 sample questions for the Praxis Music: Content Knowledge (5113), with the correct answer and an explanation for each. No account needed. Try each one before you open the answer.
Sections covered on the exam: Music History and Literature, Sources of Printed and Electronic Information, Basic Music Theory Concepts When Composing, Critical Listening Skills, Preparing for Rehearsal and Performance, Score Markings and Style Periods, Instrumental and Vocal Warm-Up Techniques, Common Pedagogical Approaches, Common Performance Challenges and Their Causes, Care of Instruments and Other Skills, Collaboration in Music, Career Opportunities in Music.
Question 1 · Music History and Literature
Answer: A. Léonin
Two-voice florid organum, with the chant stretched out in the tenor and a melismatic duplum above, is the style of Léonin and the Notre Dame school's Magnus liber organi. Guillaume de Machaut belongs to the later Ars nova and wrote measured, isorhythmic polyphony. Guillaume Dufay and Giovanni Pierluigi da Palestrina are Renaissance composers writing for three or more voices.
Question 2 · Basic Music Theory Concepts When Composing
Answer: C. C–A–C♯–B♭
Inversion reverses the direction of each interval: up a minor third (C–E♭) becomes down a minor third (C–A), down a major third (E♭–B) becomes up a major third (A–C♯), and up a minor third (B–D) becomes down a minor third (C♯–B♭). D–B–E♭–C simply reverses the four notes (a retrograde idea), E♭–G♭–D–F is P0 transposed up a minor third, and C–A–D–B inverts only the first interval correctly.
Question 3 · Preparing for Rehearsal and Performance
Answer: C. IV (F–A–C)
A4 is a chord tone only in IV, which is spelled F–A–C, so IV is the best choice for a measure sustaining A. I (C–E–G), V (G–B–D), and V7 (G–B–D–F) do not contain A, so A would be a non-chord tone held against them for the whole measure, causing a sustained clash.
Question 4 · Common Pedagogical Approaches
Answer: D. Press
Press combines strong weight, sustained time, and direct space, exactly matching a slow, forceful, straight-line push. Wring is strong and sustained but indirect (twisting), glide is sustained and direct but light, and punch is strong and direct but sudden.
Question 5 · Collaboration in Music
Answer: C. A performing rights organization such as ASCAP, BMI or SESAC
ASCAP, BMI and SESAC are performing rights organizations that issue licenses (often blanket licenses to venues) for public performance of nondramatic musical works and pay royalties to writers and publishers. Mechanical agencies license reproduction on recordings, the Copyright Office registers works but does not license performances, and buying printed parts gives no performance rights.
Question 6 · Music History and Literature
Answer: D. Guillaume de Machaut
Guillaume de Machaut's Messe de Nostre Dame is the earliest surviving complete Mass Ordinary by a single known composer, and Machaut was also a major poet. Pérotin wrote Notre Dame organum before the Ars nova. Philippe de Vitry described Ars nova notation but left no such Mass, and Guillaume Dufay wrote his cyclic Masses in the following century.
Question 7 · Basic Music Theory Concepts When Composing
Answer: A. Diminished twelfth
F♯ to C spans five letter names and is a half step smaller than the perfect fifth F♯–C♯, so it is a diminished fifth; adding an octave makes it a compound diminished fifth, a diminished twelfth. An augmented eleventh would be spelled F♯3–B♯4, a perfect twelfth would require C♯5, and diminished fifth ignores the additional octave.
Question 8 · Preparing for Rehearsal and Performance
Answer: A. C4–G4–E4–G4 in repeating eighth notes
An Alberti bass is a broken-chord pattern in the order low–high–middle–high, so C4–G4–E4–G4 is the Alberti pattern for a C major triad. Playing C, E, and G together is a block chord, a repeated open fifth on C and G is a bordun, and an alternating octave is a stride- or oom-pah-style bass, not an Alberti figure.
Question 9 · Common Pedagogical Approaches
Answer: B. Work with the TVI to obtain braille scores in advance and provide practice recordings
Braille music takes time to produce, so collaborating early with the TVI and supplementing with recordings (and verbal or tactile cues) gives a blind student full access. Enlarged print helps only students with low vision, excusing the student from learning parts is exclusion, and visual conducting gestures are inaccessible without added verbal or physical cueing.
Question 10 · Collaboration in Music
Answer: C. The editor's new material may be under copyright even though Bach's music is not
Bach's original music is in the public domain, but new editorial material such as a keyboard reduction, translation and added markings can be protected as a new work, so copying a modern edition may infringe. The public domain status of the composer does not cover a new edition, copying a whole work for performance is not automatically fair use, and translation is not the only protectable editorial material.
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