Praxis Speech and Theatre (5222)
Praxis Speech and Theatre (5222) is a trademark of its owner, which is not affiliated with and does not endorse Test Treasure Publication or TTP Prep.
Praxis Speech and Theatre (5222) is a trademark of its owner, which is not affiliated with and does not endorse Test Treasure Publication or TTP Prep.
10 sample questions for the Praxis Speech and Theatre (5222), with the correct answer and an explanation for each. No account needed. Try each one before you open the answer.
Sections covered on the exam: Communication Fundamentals and Media, Interpersonal and Group Communication, Public Speaking and Debate, Creating and Performing, History, Literature, and Criticism.
Question 1 · Communication Fundamentals and Media
Answer: D. Semantic noise
Semantic noise arises when sender and receiver attach different meanings to the same symbol, as with the abbreviation "PT." Psychological noise would involve the students' biases, worries, or emotional states, and physical noise would be an external disturbance such as a hallway bell, neither of which is described here.
Question 2 · Interpersonal and Group Communication
Answer: C. segmentation
Segmentation manages a dialectical tension by assigning each pole to a different domain or context, here autonomy at work and connection at home. Cyclic alternation shifts between the poles over time (a period of closeness followed by a period of independence), and reframing redefines the tension so that the poles no longer seem opposed.
Question 3 · Public Speaking and Debate
Answer: A. Poor articulation: sounds are slurred or dropped
Articulation is the physical production of distinct speech sounds; running words together and dropping sounds, as in "gonna" and "dunno," is an articulation problem. Pronunciation concerns the accepted sounds and accent of a word (for example, saying "artic" for "arctic"), and projection concerns volume rather than clarity.
Question 4 · Creating and Performing
Answer: B. Sanford Meisner
The repetition exercise is the base of Meisner's technique, training actors to respond truthfully and spontaneously to a partner instead of planning line readings. Strasberg's Method relies on sense and affective memory, Stanislavski built his system on given circumstances and objectives, and Chekhov used imagery and the psychological gesture. Only Meisner built training around moment-to-moment partner response.
Question 5 · Creating and Performing
Answer: A. Personal prop
Personal props are small items carried on a character's body, such as glasses, watches, or wallets, and are often tracked with the costume. Set props are furniture and large pieces, set dressing decorates the environment without being handled, and a breakaway is built to break on cue.
Question 6 · Communication Fundamentals and Media
Answer: D. Relational dimension
Every message has a content dimension (the literal information, here the deadline) and a relational dimension that signals how communicators see their relationship, such as who has authority. Denotative meaning is a word's dictionary definition, and decoding is the receiver's act of interpreting, not a layer of the message.
Question 7 · Interpersonal and Group Communication
Answer: B. report talk
Tannen describes report talk as conversation used to convey information, solve problems, and display competence, a pattern she associates more often with men. Rapport talk uses conversation to build connection and empathy, which the speaker might have preferred, and phatic communication is ritual social talk such as greetings.
Question 8 · Public Speaking and Debate
Answer: B. Some kids in our town arrive at school with nothing to eat since lunch.
Concrete language names specific, observable people and situations that listeners can picture, such as a child arriving at school hungry. Adding intensifiers such as "extremely serious" does not make language concrete, and phrases like "various nutritional challenges" are even more abstract than the original.
Question 9 · Creating and Performing
Answer: B. Stella Adler
Adler rejected Strasberg's emphasis on affective memory and taught that the actor's imagination, together with close study of the script and its social context, should be the source of performance. Strasberg's Method relies on affective and sense memory. Hagen's substitution also uses the actor's own experiences, and Meisner centers training on truthful response to a partner rather than research into the play's world.
Question 10 · Creating and Performing
Answer: B. Three 575-watt fixtures
Watts equal volts times amps, so the circuit's capacity is 120 x 20 = 2,400 watts, and good practice keeps the continuous load below that. Three 575-watt fixtures draw 1,725 watts, while the other loads (3,000 or 2,875 watts) exceed the circuit's capacity and would trip the breaker or overheat the wiring.
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